魔鬼的契约-

中文名：魔鬼的契约

外文名：Zmluva s diablom

别名：ContractwiththeDevil,APactwiththeDevil

导演：JozefZachar

编剧：IvanBukovcan

主演：西尔薇·图尔博娃,VieraSimekova,伊万娜·卡尔班诺娃,ZuzanaKocúriková,亚罗米尔·汉兹利克,ReneGabzdyl,MariánLabuda,伊凡·米斯科金,弗拉迪米尔·门西克

年代：1967年

类型：电影

制片地区：捷克斯洛伐克

评分：7.0分

上映时间：1968-07-25

片长：87分钟

对白语言：斯洛伐克语

更新时间：2022-05-21 20:34:32

状态：已完结

豆瓣ID：3380371魔鬼的契约详情介绍豆瓣

剧情简介："It’skind-ofsmalltownandbigboredom…”isthesharpjudgmentthatacharacterinJozefZachar’sfilm,ContractWiththeDevil,passesonanySlovaktown(includingitscapitalcity).Atthepointwhenstorylineexaminesandexplainstheeventsthathavealreadytakenplace,thiscommentrevealsthemainthemeofthefilm,namelytheformsofourboredom,theprotagonistsofourboredom,andwhattodoaboutourboredom.Itisathemethatmanyviewersbytheendofthe1960sappreciatedasinteresting,provocative,ordaring.However,Zachar’sfilmcertainlydoesnotmarkabreakthroughinfilmicresolutionofthetheme.Morethananythingelse,thistrifleofacomedy—popularwithviewers—isaninterestingandemblematicbattlefieldofcarelesslywastedopportunities.Itholdsviewers’attentionthroughaseriesofmerehintsatinsubordinationtothesocietalconstraintsimposedorpetrifiedbyCommunism.Buttheunfinished,carelessfilmicexecutionofthosehintsshowsinhighdefinition,sotosay,thelimitsofmanyfilmmakers’thinkingduringthepreciousperiodofrelaxedCommunisminthe1960s.　　Thestorylineismundane,orasPavelBrankocharacterizedit,“aprurientstorycalculatedforcommercialsuccess.[1]”Itbeginswiththediscoverybyhigh-schoolofficialsthatfivefemalestudentslefteroticphotos(presumablytheirs)inaclassroom,alongwithacontractwiththedevilthattheywouldlosetheirvirginitybeforegraduation.Theirparents’reactionsrangefrom“OurEvahasthebestupbringing,austereandChristian…andCommunist!”to“Iusedtohaveabodylikethis,too!”Theparentstrytoannulthecontractwiththedevilbytheirownavowaltosuperviseanddisciplinetheiroffspringmoreseverely.Butthegirlsrunawayfromthegynecologicalexamthatwastoconfirmtheirvirginity,andfromtheirmodelhomesandschool.Whatfollowsisaseriesofepisodesoftheir“courageous,”hopeful,aswellasembarrassingattemptstobreechtheinterdictionimposedbythetwobasiceducationalinstitutions—schoolandfamily.　　Thefilm’swastedpotentialismostpalpableintwoscenesthatstrivetoassaulttheviewers’presumed,unprincipled,small-townprovincialism,summedupinthephrase“don’tgetinvolvedandyou’llbefine.”Thesescenesare“counterattacks”againsttheoperationofschoolsandfamilies.Thefirstsceneisavariationonthedeviceofafilm-within-a-film:afamilyscreenstheir“morallyuplifting”16-mmhomemovieforMarcela,oneofthegirls.Thefatheroperatesthesmallgadget,thefamilyprojector,hopingtoaffirmtheworkingsofthebasicsocietalcontraption,thefamily.Howeverhisprojector,justlikehisfamily,keepsbreakingoff.　　Thesecondsceneisthepartyatthehomeofthesonof“big-leagueparents,”whereEmma,anotherofthegirls,performsastriptease.AccordingtoTheHistoryofSlovakFilm,atthattime“formerlyquiteprudishfilmmaking,which,ofcourse,tabooedanakedfemalebodyinthenameofCommunist—andCatholic—norms,nowincorporatedstripteaseandlovescenesthatwerenotexactlycopiedfromahandbookofappropriatebehavior.”[2]Buttheeroticchargeofthesceneisnottheonlyissue.Theinteresting,tension-creatingpolarizationbetweenthecharacters(abandonversuscorruption),theuseofcharacteristicdialogue,andtheoverall,vividlyacted“playfulness”—allofthesecontainthepotentialforabetterfilm.Thedaringculminationofthesceneisnottheimageofanakedstudent,butthehereticalburningofacrossinaglassofcognacthatissetonfire.　　TheparadoxicalreceptionofContractwiththeDevilatthetimeofitsreleaseisoftenforgotten.WhileJurajJakubisko’sCrucialYears(alsoknownasChrist’sYears;Kristoveroky,1967),releasedinthesameyear,wasmetwithacclaimbyreviewersandhasremainedacommontopicinworksonSlovakcinema,atthesametimeitspopularreceptionwaslukewarm,attendancelow,andsomeviewersevencriticizeditasimmoral.Bycomparison,ContractwiththeDevilgeneratedgoodticketsales.Ontheonehand,thiswasindicativeoftheleveloftherelaxationofcommunismin1967,butalso,ontheother,ofthedegreetowhichContractwiththeDevilwasbehindthetimes:thefilm,whichclearlyintendedtooffendwhatitsawasossifiedprudishmorality,actuallyreceivedpraisefromCtiborŠtítnický,thecommunist-appointedDirectoroftheKolibastudios,asa“decent”film,bothintermsofitscommercialsuccessanditscontent.[3]Paradoxicallythen,ContractwiththeDevil,conceivedasapiercingthematicbreakthrough,merelybecameapopularentertainmentfilmbythetimeofitsreleaseduetothequickpaceofpoliticalchangesinthecountry,anditdidnotcontainenoughartistrytosustainareputationamongcinéastesafterwards. 更多关于《魔鬼的契约》的精彩内容请持续关注小红帽影院。