中文名:悲情花街
外文名:剧情
别名:TheJoylessStreet,没有欢乐的街
导演:G·W·帕布斯特
编剧:胡戈·贝陶尔
主演:AstaNielsen,葛丽泰·嘉宝,AgnesEsterhazy,WernerKrauß,KarlEtlinger,ValeskaGert
年代:1925年
类型:剧情,电影
制片地区:德国
评分:8.2分
上映时间:1925
片长:125分钟
对白语言:德语
更新时间:2022-10-24 20:51:12
状态:已完结
豆瓣ID:1294158悲情花街详情介绍豆瓣
剧情简介:DiefreudloseGasse(TheJoylessStreet),directedGeorgWilhelmPabstfromascriptbyWillyHaas,basedonanovelbyHugoBettauer,isnotonlyoneofthemostimportantfilmsoftheWeimarRepublic,itisalsooneofthemostspectacularcensorshipcasesoftheera.Whilethefilmmadeitsdirectorfamous,thestateinstitutionsofcontrolguaranteedthatnoonewouldeverseethefilminitsoriginalform.Thefilmwasconsideredtoomuchofaprovocation.ItsstoryfromtheinflationaryperiodinViennaintheyearsimmediatelyafterWorldWarIofferedenoughdynamiteforseveralmuckrakingnovels:nouveaurichescurrencyandstockmarketspeculatorswhowallowinBabylonianluxury,homelessandunemployedLumpenproletariatlivinginbarns,womenwhoselltheirsoulsforabitoffreshmeatatthebutcher's,arrogantbutimpoverishedformerbureaucratsunawareoftheirsocialslide,youngsocialclimberswillingtoprostitutethemselveswithhighsocietywomen,sexualorgiesandbordellos,murderoutofjealousy,murderoutofdespair,and,finally,arevolutioninthestreets. Contemporaryfilmcritics,aswellasfilmhistorianshavealwaysrecognizedTheJoylessStreetasaseminalfilm,afilmontheborderbetweenGermanExpressionismandNeueSachlichkeit(newrealism).Twoquotesfromcontemporaryreviewsmayillustratethepoint:theBerlinerTageblattwrote:"Intermsofitsacting,thisisabeautifulfilmwithgreatdirectionandwonderfulactors."Infact,thefilmstarredAstaNielsen,WernerKraus,HerthavonWalter,andayoungGretaGarbowhowouldgoontoastellarcareerinHollywood.IntheDeutscheAllgemeineZeitung,OttoFriedrichwrote:"He(Pabst)achieveshisgoalingreatstyle,doesnottreadonwell-wornpaths,presentsnewideaswhichareuniquelyhisown,andwiththisachievementgivesusanewhope.Hecapturestheatmosphereofanidea,keepsredrawingitonthesurfaceinevermoreintensiveimages,incontrastsofactionthatmakeaneverstrongerimpression.Heillustratesthedown-troddensoulsoftheeraandthemaniclustforpleasureofitspeoplewhoaretryingtodonothingmorethanescapeforafewminutesfromtheterribletruthofthepresent." Notonlywasthefilmcutforpoliticalandmoralreasonsineverycountrywhereitwaspubliclyshown,itwasalsoreeditedinordertoclosethehugegapscreatedbycensorshipcuts.Thus,inalmosteverycountrytotallydifferentnarrativesofTheJoylessStreetemerged.AccordingtoMarkSorkin,Pabst'seditor,heandPabsthadmadethefirstcutsthenightbeforethepremiere,becausethetheatreownerinsistedthefilmbeshortened. WhilethefirstversionofTheJoylessStreetstillhadalengthof3738meters(onlyfourmeterswereinitiallycutbythecensorshipboardon25May1925),thefilmwasbackincourton29March1926,becausethepolicehadissuedadecreecallingforatotalbanonthefilm,duetoits"lewd"and"seditious"tendencies.Nowonly3477metersremainedofthefilm.Noneofthelatersurvivingversionsevercameclosetothislength.NeitheraGermanversion,northeoriginalGermancensorshipcardsareknowntoexist. EveryonewhohasseenthenewreconstructionofTheJoylessStreetagreesthatitisavastimprovementoverallpreviouslyexistingversions.Yetitremainsonlyasubjectiveattemptatareconstruction.Whileitistruethatthereconstructionteamtriedtobaseeveryoneofitdecisionsondocumentaryevidence,itmustalsobeadmittedthatwithoutasurvivingoriginalGermanversion,wewillneverknowwhatthefilmreallylookedlike.Giventheincrediblecomplexityofthenarrative,involvingatleastsixdifferentsubplots,andthefactthatthefilmisstillmissingatleast700meters,thisversionmustbecharacterizedasatattemptatareconstruction. Jan-ChristopherHorak 更多关于《悲情花街》的精彩内容请持续关注小红帽影院。
