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玫瑰围墙剧情介绍
《玫瑰围墙》电影由玛加蕾特·冯·特罗塔执导，玛加蕾特·冯·特罗塔编剧。卡蒂娅·里曼,玛丽亚·施拉德,于尔根等明星主演的剧情,战争,电影，更多关于《玫瑰围墙》的精彩内容请持续关注小红帽影院。
故事发生在2001年的美国纽约，露丝（尤塔·兰佩JuttaLampe饰）刚刚失去了自己挚爱的丈夫本（RomijnConen饰），这令她的精神濒临崩溃的边缘，为了悼念丈夫，露丝决定恪守犹太教传统，将哀悼日延长到30天，这也就意味着，露丝的女儿汉娜（玛丽亚·丝奇拉德MariaSchrader饰）将错过和男友路易斯（费德贾·范·胡艾特FedjavanHuêt饰）原定的婚礼日期了，这让汉娜感到十分的不满。 汉娜前往柏林，在那里，她捡到了母亲曾经的好友丽娜（卡嘉·瑞曼KatjaRiemann饰），从她的口中，汉娜了解了母亲和父亲从相知到相爱的艰辛历程，也终于名为了母亲内心里的执念。 更多关于《玫瑰围墙》的精彩内容请持续关注小红帽影院。
《玫瑰围墙》别名：罗森斯塔塞街的女人们,玫瑰大街,Rosenstrasse,TheWomenofRosenstrasse。 又名：Rosenstraße，该片于2003-09-18上映，制片国家/地区为德国。该片时长共136分钟，语言对白德语，该片评分7.4分，观看人数433人，更多关于《玫瑰围墙》的精彩内容请持续关注小红帽影院。
玫瑰围墙影评
1有用
The film tried to achieve a balanced view. It portrays the non-Jewish German women, such as Ruth and Frau, as strong-willed persons that would risk anything to have their husbands saved. However, meanwhile, through Ruth’s expressive eyes, minor gestures and the fact that she tried to seduce one of the top Nazi commanders to release her husband, Trotta showed us the soft side of these women as well. One of my favorite movements was when Frau’s husband, Nathan, was released from Rosenstrasse. The first sentence Nathan said to Frau was, “Sorry to keep you waiting.” It was sweet. But at the same time it was heartrending. They were not the people who were supposed to feel sorry. They were all victims of their time. Also, not all the husbands were saved. The director’s intend was not to glorify the history, but to point out that some kind actions, although very small in scale, was carried out in the darkest period of time. There were husbands who divorced their wives to “get out of trouble”, but there were also wives that would wait tirelessly for their husband to come back. Such understandings of human nature were reasonably justified. 更多关于《玫瑰围墙》的精彩内容请持续关注小红帽影院。
《玫瑰围墙》- 哪个民族的历史不是一部血泪史
这篇影评可能有剧透
Margarethe von Trotta employed a set of literature techniques to appeal to the audience. The seven-day event that shaped Ruth’s personalities was shown in a series of flashbacks. The movie started by planting many questions into audience’s mind. Why did Ruth act so weird after her husband’s death? What happened to her? Why did she insist on separating her daughter Hannah and Hannah’s fiancé, Luis, when they appeared to be so much in love with each other? With these questions left unanswered, Trotta then led the audience into a period of Jewish history.The film tried to achieve a balanced view. It portrays the non-Jewish German women, such as Ruth and Frau, as strong-willed persons that would risk anything to have their husbands saved. However, meanwhile, through Ruth’s expressive eyes, minor gestures and the fact that she tried to seduce one of the top Nazi commanders to release her husband, Trotta showed us the soft side of these women as well. One of my favorite movements was when Frau’s husband, Nathan, was released from Rosenstrasse. The first sentence Nathan said to Frau was, “Sorry to keep you waiting.” It was sweet. But at the same time it was heartrending. They were not the people who were supposed to feel sorry. They were all victims of their time. Also, not all the husbands were saved. The director’s intend was not to glorify the history, but to point out that some kind actions, although very small in scale, was carried out in the darkest period of time. There were husbands who divorced their wives to “get out of trouble”, but there were also wives that would wait tirelessly for their husband to come back. Such understandings of human nature were reasonably justified. 更多关于《玫瑰围墙》的精彩内容请持续关注小红帽影院。
