高度剧情介绍
《高度》电影由克里斯·特里奥执导，AmyFox编剧。伊丽莎白·班克斯,格伦·克洛斯,詹姆等明星主演的剧情,电影，更多关于《高度》的精彩内容请持续关注小红帽影院。
故事中的伊莎贝尔是一位备受赞誉的摄影师，即将迎来自己的婚礼。然而，她开始对婚姻的选择感到犹豫不决。与此同时，她的未婚夫乔纳森也有一个将会毁掉一切的秘密。伊莎贝尔的母亲戴安娜是一位演员，她发现自己的丈夫有了外遇。在一次偶然的相遇中，伊莎贝尔遇到了一个男子阿拉克，这个邂逅让她的生活变得复杂起来。伊莎贝尔和乔纳森之间的关系开始出现裂痕，他们面临着自己内心的真实和选择。在婚礼的前夕，他们是否能够勇敢地面对自己的内心，做出正确的选择？《错位之恋》是一部浪漫剧情片，通过描绘主人公们的内心世界和他们之间的纠葛，探讨了婚姻和自我认同的关系。这部电影将带领观众们进入现实生活中复杂的情感世界，引发思考和共鸣。 更多关于《高度》的精彩内容请持续关注小红帽影院。
《高度》别名：爱在纽约破晓时,追寻五个失落的故事。 又名：Heights，该片于2005-11-24上映，制片国家/地区为美国。该片时长共93分钟，语言对白英语，最新状态超清。该片评分7.6分，观看人数308人，更多关于《高度》的精彩内容请持续关注小红帽影院。
高度影评
2有用
This film presents us with a fine example of how critical a movie's rhythm is, in rolling out the story, and piecing the sundry elements together. Here the wonderfully well-paced and tactful tempo has been underscored, throughout, with both an apt soundtrack, and the nuanced body language of the main actors and actresses. I suspect we have seen the best performance of their career from the two leads, Elizabeth Banks and James Marsden, who may eventually "wear it out" in future romantic comedies of the assinine Hollywood categories.
However, two faux pas, both related to the script, marred the film for me: one through carelessness; another through inconsistency. The beginning scene with the magnificent Glenn Close as Lady Macbeth brought up the interesting point of "gusto", of living with passion, rather than the pale substitute of petite bourgeoisie existence; but there is no sufficient followup to that. The preaching of "take a chance" is not quite close to the richer stuff that gusto consists of. This neglect, as I siad, is careless.
Then there is the revelation towards the end, that cheapens the drama. Our fundamental apartness from even those who are closest to us, that profound isolation, seems to be reduces to the consequence of one man's duplicity, which is inconsistent with the complexity built up with the first 2/3 of the movie; as if Jonathan could have saved us all this heartache by simply being "straight" (pun unintended) with himself, so that he could achieve togetherness with one lover or the other, and second-guess the big existential question. Yeah, right.
An aside: Glenn Close is one of the few American actresses who can handle a Shakespearean text, who have the mesmerizing stage presence, the supple, well-developed enunciation, and the looming moral ambivalence that the Bard's great heroines require. It has been my long-time fantasy to see Glenn Close as Lady Macbeth, to deliver such lines as "take my motherly milk and turn it into gall", or "pluck my nipple from the smiling ungummed lips and dash its brain out...", or, "Unsex me here!" This spectacle alone is worth the DVD! 这篇影评有剧透 更多关于《高度》的精彩内容请持续关注小红帽影院。
《高度》- Americanshaveindies,too！！
《高度》是一部关于婚姻和家庭的电影。故事围绕着主人公伊莎贝尔和她的未婚夫乔纳森展开。伊莎贝尔开始对婚姻的选择感到迷茫，而乔纳森也有一个秘密负担着。同时，伊莎贝尔的母亲戴安娜也在处理自己的家庭问题。伊莎贝尔在偶然的机会中遇到了一个男人阿拉克，这改变了她的生活轨迹。电影探讨了婚姻的困惑和家庭问题，展现了人们在面对选择和变化时的内心挣扎。
A simple story told with sensitivity and subtlety. An understated and wistful ode to isolation and (subsequent) dejection.This film presents us with a fine example of how critical a movie's rhythm is, in rolling out the story, and piecing the sundry elements together. Here the wonderfully well-paced and tactful tempo has been underscored, throughout, with both an apt soundtrack, and the nuanced body language of the main actors and actresses. I suspect we have seen the best performance of their career from the two leads, Elizabeth Banks and James Marsden, who may eventually "wear it out" in future romantic comedies of the assinine Hollywood categories.
However, two faux pas, both related to the script, marred the film for me: one through carelessness; another through inconsistency. The beginning scene with the magnificent Glenn Close as Lady Macbeth brought up the interesting point of "gusto", of living with passion, rather than the pale substitute of petite bourgeoisie existence; but there is no sufficient followup to that. The preaching of "take a chance" is not quite close to the richer stuff that gusto consists of. This neglect, as I siad, is careless.
Then there is the revelation towards the end, that cheapens the drama. Our fundamental apartness from even those who are closest to us, that profound isolation, seems to be reduces to the consequence of one man's duplicity, which is inconsistent with the complexity built up with the first 2/3 of the movie; as if Jonathan could have saved us all this heartache by simply being "straight" (pun unintended) with himself, so that he could achieve togetherness with one lover or the other, and second-guess the big existential question. Yeah, right.
An aside: Glenn Close is one of the few American actresses who can handle a Shakespearean text, who have the mesmerizing stage presence, the supple, well-developed enunciation, and the looming moral ambivalence that the Bard's great heroines require. It has been my long-time fantasy to see Glenn Close as Lady Macbeth, to deliver such lines as "take my motherly milk and turn it into gall", or "pluck my nipple from the smiling ungummed lips and dash its brain out...", or, "Unsex me here!" This spectacle alone is worth the DVD! 这篇影评有剧透 更多关于《高度》的精彩内容请持续关注小红帽影院。